THE_CRAMPS_DRUG_TRAIN_1980_24_x_32_Concert_Music_Vintage_Poster_Original_01_mvq

THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original

THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original
THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original
THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original

THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original
“THE CRAMPS DRUG TRAIN – 1980″. 24 x 32 FRENCH MOYENNE. 24 x 32 FRENCH MOYENNE Folded posters are all coming from an old cinema and due to limited working-time, they haven’t been tcheck in details. They’re all in good general condition but there’s maybe some pin’ hole or time micro-use on sides. Please tcheck the pictures in details. This is a guaranteed ORIGINAL FRENCH POSTER from the period of print/creation, this is NOT a reproduction or copy. Solid extra-strong Carboard Envelope and individual Bubble Pack as shown on pictures. The item “THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original” is in sale since Saturday, January 19, 2019. This item is in the category “Art\Art Posters”. The seller is “freddymietofficiel” and is located in Montpellier. This item can be shipped worldwide.
  • Size: Medium (up to 36in.)
  • Subject: Music
  • Style: Vintage
  • Listed By: Dealer or Reseller
  • Originality: Original
  • Artist: The Cramps
  • Year: 1980

THE CRAMPS DRUG TRAIN 1980 24 x 32 Concert Music Vintage Poster Original
Rare_Original_1972_Stephen_Stills_Manassas_Concert_Poster_Vintage_70_s_Rock_01_hniq

Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70’s Rock

Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock

Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
Stephen Stills Manassas Original Rock Concert Poster 23.5″ x 33″. September 26, 1972 Frankfurt, Germany Presented by Lippmann & RAV. I could not find any information on the September 26, 1972 European concert tour date online. There are dates and set lists online for other shows of the 72 Manassas European tour but nothing for this date. I Could not find another example of this concert poster- extremely rare. Pinholes in top corners and slight tearing on edges shows its age.. MANASSAS – Stephen Stills, Chris Hillman, Dallas Taylor, Fuzzy Samuels, Paul Harris, Al Perkins, Joe Lala. Why Manassas Was Stephen Stills’ Best Band. By 1972, what we call classic rock was pretty much peaking – though nobody at the time knew it. Except maybe Stephen Stills. The band and double-album he piloted and released that yearboth named Manassasnow seem pivotal. Manassas brilliantly summed up the remarkable 1960s creative surge that revitalized rock’s roots and encouraged experimentation just when it was at its crest. A lot had changed since that surge began. Rock went from being a marginal sideshow for major record labels to a billion-dollar industry. Freewheeling entrepreneurs with “big ears” yielded to corporate types focused on market share and growing profits. “Supergroups” manufactured by producers and agents who headlined arena shows became the standard of success. The top-flight outfit Stills assembled in late 1971 and named for a bloody two-part Civil War battle (the album’s cover shot was taken on that battlefield) could nimbly navigate damn near every polyglot style rock was evolving– from blues (Jet Set) to bluegrass (Fallen Eagle), country rock (Don’t Look At My Shadow) to Caribbean beats (“Medley”), folk-rock (Johnny’s Garden) to proto-metal (Right Now). Jamming out complex, textured arrangements in the studio, they successfully translated them to stages in Europe and the US. But Stills always felt that Manassas struggled for recognition because his handlers wanted him back in the gold rush that Crosby Stills and Nash (and sometimes Young) generated. Whatever the reason, Manassas remains one of rock’s half-forgotten treasures. But it’s arguably the best album and band Stephen Stills ever helmed. Born in Texas, Stills was raised in Florida, Costa Rica, and the Panama Canal Zone as his military family rotated through duty stations. He absorbed all sorts of music along the way, and learned to play them on guitar, keyboards, bass, banjo, and assorted percussion instruments. The rootless kid found his mooring in sound. He beat up his family’s furniture until his dad finally got him drums to go with his drumsticks. After a week of college, he quit to be a musician. His scuffling path through the folk revival introduced him to dozens of players, like Richie Furay and Neil Young, who’d become his creative network. It also put him into play at the onset of rock’s 1960s creative surge. He was in Los Angeles trying to peddle his songs when he turned down a slot with the corporately manufactured Monkees (he recommended Peter Tork instead), and jumped headlong into the exploratory waves with his tempestuous Buffalo Springfield. The Springfield surfed onto the national Top 40 charts with Stills’s brooding For What It’s Worth. In the studio, on tracks as radically distinct as Kind Woman, Rock and Roll Woman, and Nowadays Clancy Can’t Even Sing, they probed the new ideas firing young musical imaginations from London to California. Live, the band crackled with guitar-hero firepower, when Stills and Young opened up in redoubtable jams. His songs were innovative, superbly crafted, stylistically diverse; Bluebird is a stellar example of his fondness for complex structures. His lyrics could be elliptical or nakedly autobiographical; often infused with dark romance (Hung Upside Down, Questions) his confessional story-telling updated his beloved blues. Onstage, he hurled himself at the microphone, when he wasn’t prancing or dancing; he was so intense, his full-throated vocals seemed to come somehow from his entire body. Bandmate Richie Furay called him the heart and soul of Buffalo Springfield. ” Others, in a nod to his multi-instrumental chops, called him “Captain Many Hands. Super Stardom and Solo Flops. Al Kooper, Mike Bloomfield and Stephen Stills. The unstable chemistry and battling egos that fired the Springfield’s creative ambitions inevitably blew it apart. But the band had barely disintegrated before Stills was off solidifying his guitar-hero credentials on Super Session, with Al Kooper and Mike Bloomfield. On Season of the Witch, Stills dialed up a distinctive voice on the wah-wah pedal Jimi Hendrix turned him onto, floating sweet nothings and yearnings tinged with acerbity. Thanks to his network, a series of accidents drew Crosby Stills and Nash together. Their 1969 debut met with critical hosannas and gold-record status, and marked the dawn of that record-industry stepchild, the supergroup, with high-powered handlers and big-ticket arena tours. Ironically, today it can sound like an almost-solo Stills album, so completely did his songwriting and talentshe played nearly all the instrumentsdominate it. Graham Nash said, Stephen had a vision, and David and I let him run with it. Or maybe he just steamrolled over them. A year after Déjà Vu, what was now CSN&Y exploded, and its members released solo albums. Stephen Stills went gold, scored a hit (Love the One You’re With), and was the only album ever to feature both Eric Clapton (on Go Back Home) and Jimi Hendrix (on Old Times Good Times). But it and its followup drew ho-hum reviews; so did his tours. Critics and fans wondered if Stills was yet another self-indulgent rock star running out of gas. A Twist of Fate. Stills describes himself as “aggressive, ” “obnoxious, ” and the like, all meaning he’s a control freakan auteur, if you like. In those days, he was usually packing an enviable pocketful of new tunes. He could out-sing almost anyone and play one-man band if he wanted. You can see how he’d be a hard guy to face off with about creative issues. Yet he knew he needed feedback. He wanted to improvise with players whose ideas and chops stood up to his own. Then he could let jamming unleash creative interactions to enrich his ideas. That was how he worked during the Springfield’s best days. A twist of fate gave him his shot. In 1971, he was coasting along on a lackluster but lucrative tour when he happened to cross paths with Chris Hillman. As Hillman recalls, Stills was playing a concert in Cleveland with the Memphis Horns. I was sitting in the audience, going,’Jesus Christ. They’re making 25,000 bucks and they’re shitty. The Burritos are better than this. I went backstage, and that’s when we renewed the friendship. Their bond dated back to 1960s LA, when Hillmanamong the most catalytic figures in rock historygot Buffalo Springfield the gig as the Whisky A Go Go’s house band. That launched them to stardom. Besides, Stills knew that Hillman was far more than a catalyst. After a whiz-kid run as a bluegrass mandolinist, he played innovative bass, doubled on guitar, sang lead and harmony, and co-wrote songs with the Byrds. When Roger McGuinn unceremoniously dumped his friend Gram Parsons afterSweetheart of the Rodeo, Hillman left, and the Flying Burrito Brothers were born. Parsons and Hillman penned a few matchless songs that other composers would likely swap body parts for, like Sin City and Wheels. But the Grievous Angel was riding hard on the road to ruin; sloppy business dealings, erratic performances, and over-the-top drug use and boozing got him fired from his own group before Burrito Deluxe was released in early 1970. Hillman tried steering the band, but its personnel kept changing; the near-chaos made the Burritos musically unpredictable and financially disastrous. So when Hillman and Stills accidentally crossed paths in Cleveland, they both glimpsed opportunity. Stills’ bounteous talents and fierce competitive drive almost ensured he would overshadow nearly any setting he was in, but he was discouraged by his solo ventures. He needed a creative ally he respected, someone who’d push back but not combust or split. Hillman, who may be rock history’s best-ever second bananadealing with McGuinn and Parsons were hard-to-beat baptisms of firewas secure enough in his own creativity to deliver. He would co-write two songs for Manassas (Both of Us, It Doesn’t Matter), help Stills wrangle others into shape, and supply his subtle, pure-toned harmonies throughout. As Stills explained, I basically wanted a partner, somebody who had a sense of songs. Chris invented the phrase’lyric police,’ and was a tremendous help. But I was still on that real powerful, energetic’Let’s go, I know what I’m doing’ kinda thing. Chris realized it was my band, and that was OK for him. A few weeks later, Stills called Hillman and invited him down to Miami’s famed Criteria Studios, where engineer-producer Tom Dowd had shepherded Derek and the Dominos’ monumental jam-fuelled Layla sessions the year before. As it happens, the producers for what would become Manassas worked on it too. The stage was set to replace the sterile studio feel Stills hated with the onstage improvising looseness he loved. He had his co-pilot. So who else would joust with Captain Many Hands? From the shambling Burritos came two key talents. Violinist Byron Berline was a bluegrass vet who’d clocked time with stars like Bill Monroe and Dillard and Clark. Fallen Eagle, a breakneck bluegrass protest song against ranchers killing our endangered national symbol, puts his dazzling, keening fiddle and Hillman’s virtuoso mandolin in the forefront. Al Perkins learned to play Hawaiian steel guitar at nine, mastered the dobro and pedal steel, performed with country and western bands, then shifted gears to tour his native west Texas as a rock guitar slinger. He supports or duels with Stills on all his axes. On Jesus Gave Love Away For Free, his aching steel solos swell and sigh; on Don’t Look at My Shadow, they glide with glee. On “Jet Set, ” he plugs into effects to go grungy and deliver slashing, whiplash blues in Duane Allman fashion to counter Stills’ gurgling wah-wah. He plays both steel and guitar on Song of Love. Perkins, Stills, and Hillman take their guitar army acoustic for Johnny’s Garden, where their loosely braided, ever-shifting lines gently nudge Stills’ yearning vocal. The rest of the cast came from Stills’ solo albums and tours. Bassist Calvin “Fuzzy” Samuels brought the Caribbean feels Stills craved, as the burbling line on “Song of Love” demonstrates. But he could nail the bottom hard on blues-rockers like Jet Set. Keyboardist Paul Harris, a session vet, could play almost any style; with Hillman’s adept rhythm guitar, his keys became the session’s sonic glue. Latin percussionist Joe Lala co-founded Blues Image (Ride Captain Ride) and sang with gritty, soulful conviction. He vocally challenges Stills on Cuban Bluegrass, and delivers the pulsating Latin rhythms Stills adored throughout. Drummer Dallas Taylor was Stills’ running buddyand a wild card. He played on CSN(and sometimes Y)’s first two albums and tours; they fired him because his substance abuse rivaled the Grievous Angel’s. But this bad boy had exactly what Stills wanted on drums: he could float, dance, or slam it home. Was Manassas Stills’ Best Band? What was slated to be Stills’ third solo album had morphed completely. The band’s chemistry clicked almost instantly, and its boundless energy and chops meshed with Stills’ vision and discipline. A few weeks of jamming out arrangements fused the wildly diverse material and sounds into a sum greater than its parts. They came out of it as a fierce, tuned machine. See for yourself on this high-quality German TV recording, where Stills wails on wah-wah for “Jet Set” and Treasure of the Oneness. No wonder Bill Wyman, who co-wrote Love Gangster with Stills and played bass for the track, said he’d leave the Stones to join Manassas. Hillman understood why: We were always more of a band than people thought. Stills wouldn’t have been the same without us, that’s for sure. Manassas was the best band Stills ever played in. The album ends with a final stark jolt. Blues Man finds Stills alone with an acoustic guitar, like the host of a wild party sitting amid the wreckage after it’s over. He channels everything he ever absorbed from his revered blues masters into his gritty, anguished vocal and nimble fingerpicking to sketch a raw, painfully dark elegy for three of his friends. Jimi Hendrix, Al Wilson (Canned Heat), and Duane Allman had all recently died. They weren’t the only ones: Janis Joplin and Jim Morrison were among the others. Many were wondering if rock’s creative surge had run its course. But an era was indeed ending. And nothing Stills has done since approaches the epic scale and artistic heights of Manassas. The item “Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70’s Rock” is in sale since Sunday, March 26, 2017. This item is in the category “Entertainment Memorabilia\Music Memorabilia\Rock & Pop\Artists S\Other Rock & Pop Artists S”. The seller is “2004online” and is located in Wausau, Wisconsin. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Turks and caicos islands, Brunei darussalam, Iceland, Nicaragua, Paraguay, Viet nam, Uruguay, Russian federation.
  • Modified Item: No
  • Original/Reproduction: Original

Rare Original 1972 Stephen Stills Manassas Concert Poster Vintage 70's Rock
KISS_Vintage_Band_1976_Gene_Simmons_Alive_Tour_In_Concert_Poster_Big_O_UK_Aucoin_01_oic

KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin

KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin

KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
Please mouse over and zoom in on all hi-res photos! Unless other arrangements have been made, unpaid item assistant will automatically open unpaid item case on the end of the second day. The item “KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin” is in sale since Tuesday, March 19, 2019. This item is in the category “Entertainment Memorabilia\Music Memorabilia\Rock & Pop\Artists K\Kiss\Posters”. The seller is “calliedavidson” and is located in Albany, New York. This item can be shipped worldwide.
  • Size: 24″ x 33 1/2″
  • Original/Reproduction: Original

KISS Vintage Band 1976 Gene Simmons Alive Tour In Concert Poster Big O UK Aucoin
Original_vintage_poster_JAZZ_MONTREUX_1977_Milton_Glaser_01_djk

Original vintage poster JAZZ MONTREUX 1977 Milton Glaser

Original vintage poster JAZZ MONTREUX 1977 Milton Glaser

Original vintage poster JAZZ MONTREUX 1977 Milton Glaser
This is a guaranteed ORIGINAL POSTER, NOT a reproduction. Our posters are in original shape without linen on backside. Museums and serious collectors appreciate this extra value. This poster by master poster designer Milton Glaser from 1977 (this is the duly authorized second edition) is in fine A condition, printed on heavy stock and can be framed as is. Our premier vintage poster collection is a best trusted source since more than 40 years for collectors, dealers, museums and corporations worldwide. Flat rate for one or more posters. The item “Original vintage poster JAZZ MONTREUX 1977 Milton Glaser” is in sale since Friday, October 19, 2018. This item is in the category “Art\Art Posters”. The seller is “postercollection” and is located in Suisse. This item can be shipped worldwide.
  • Size Type/Largest Dimension: 70 x 100 cm / 27 1/2 x 39 1/2 in
  • Famous Swiss Jazz Festival: Original silkscreen print
  • Category: Music Events
  • Style: Pop Art
  • Date of Creation: 1970-1989
  • Subject: Jazz Concerts
  • Original/Reproduction: Original
  • Signed?: Signed

Original vintage poster JAZZ MONTREUX 1977 Milton Glaser
The_Rolling_Stones_Vintage_Original_European_Tour_Concert_Poster_1970_01_cta

The Rolling Stones Vintage Original European Tour Concert Poster 1970

The Rolling Stones Vintage Original European Tour Concert Poster 1970

The Rolling Stones Vintage Original European Tour Concert Poster 1970
The Rolling Stones Vintage Original European Tour Concert Item 1970. Measuring 24″ X 34″. Item is in Near Mint Condition (C8). We grade our items according to the Iguide Universal 10-Point Grading Scale. C10 Mint – Investment quality. No perceptible flaws of any kind. C9 Near Mint – Investment quality. Minor flaw on an otherwise unused item. C8 Excellent – Investment quality. A few minor defects. Pin holes, small tears, etc. C7 Very Good to Excellent – Fine. Still a very nicely preserved item. C6 Very Good – The typical used item in average condition. C5 Good to Very Good – A heavily-worn item. C4 Good – Below average but still suitable for display. C3 Fair – Heavily worn, but yet still complete. C2 Poor to Fair – An extremely worn, possibly even incomplete item. C1 Poor – The lowest grade, representing items in the lowest possible condition. Item has been Kept Flat, in a Smoke, Dust, and UV Light Free storage facility that has allowed the Colors to retain their Brilliancy without fading. Item is Not Reprint , Giclee Print Nor Ink Jet Print, Item is the Original Offset Promo Item. Double tubing would cost extra, but we provide it free for our customers. Customer comments have shown they truly appreciate this free extra care. When You receive your item, There will be an inner tube inside the outer tube. Please unwrap the outer wrapping on the inner tube. The Item is rolled onto the inner tube NOT inside the inner tube. The item “The Rolling Stones Vintage Original European Tour Concert Poster 1970″ is in sale since Thursday, April 25, 2019. This item is in the category “Entertainment Memorabilia\Music Memorabilia\Rock & Pop\Artists R\Rolling Stones\Posters”. The seller is “rarepics914″ and is located in Pelham, New York. This item can be shipped worldwide.
  • Size: 24in X 34in
  • Original/Reproduction: Original

The Rolling Stones Vintage Original European Tour Concert Poster 1970
STEVIE_WONDER_Vintage_1974_concert_program_20_pages_great_photos_NM_01_edf

STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM

STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM
STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM
STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM

STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM
1974 US Tour program. Rare Vintage concert program printed for the 1974 US Tour of the genial Motown singer multi-instrumentist. Format : 8,5×11 inches (21x28cm). Amazing colors and photos. Will be sent flat in a sturdy mailer. This is one of the many movie, music, comic book art and advertising/Olympic posters which can be found at ILLUSTRACTION GALLERY – ART THAT POPS! A brand new online poster gallery devoted to the celebration of the poster artists behind the art of the movie, music and comic book. We only sell Vintage and rare posters (no cheap reproductions). Specialized in art by Robert McGinnis , Ray (Raymond Elseviers), Frank McCarthy, Hans Hillmann, David O’Daniel, Todd Slater, Jack Kirby, Jim Steranko, Marvel Third Eye Black light, Rick Griffin… As well as Steve McQueen, Audrey Hepburn, Clint Eastwood, Steve McQueen, Alain Delon, Jean-Paul Belmondo, Sophia Loren, Paul Newman, Raquel Welch and many other actors and actresses and Italian fotobusta (photobusta), Japanese B2 posters, Belgian posters, French posters, Italian fotobusta (photobusta), German A1 posters, Fillmore posters, Family Dog posters, complete set of Munich 1972 Olympics posters and many more colorful images which can be discovered on the site. Watch the other listings. For larger quantities, a separate invoice will be sent. Feel free to contact the gallery for any queries/questions. Thanks for your business. ILLUSTRACTION GALLERY – Art That Pops! The item “STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM” is in sale since Thursday, March 8, 2018. This item is in the category “Entertainment Memorabilia\Music Memorabilia\R&B & Soul\Posters”. The seller is “illustractiongallery” and is located in New York, New York. This item can be shipped worldwide.
  • Artist: Milton Glaser
  • Modified Item: No
  • Country/Region of Manufacture: United States
  • Original/Reproduction: Original

STEVIE WONDER Vintage 1974 concert program 20 pages great photos NM
Kraftwerk_Vintage_Concert_Poster_1981_Berlin_Metropol_Mensch_Maschine_Original_01_rwb

Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original

Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original
Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original
Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original
Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original

Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original
Original vintage kraftwerk concert poster from 1981. Real collectors item and hard to find. Poster is in mint condition and has the size 84 cm x 59 cm (33 x 23 inch). DON´T OPEN CASES – EVERYTHING WILL ARRIVE!!! The item “KRAFTWERK VINTAGE CONCERT POSTER 1981 BERLIN METROPOL MENSCH MASCHINE ORIGINAL” is in sale since Friday, January 18, 2019. This item is in the category “Music\Music Memorabilia\Pop\Posters”. The seller is “kult_kloemel” and is located in Berlin. This item can be shipped worldwide.
  • Genre: Pop/ Rock
  • Artists/ Groups: KRAFTWERK
  • Type: Posters
  • Country/Region of Manufacture: Germany

Kraftwerk Vintage Concert Poster 1981 Berlin Metropol Mensch Maschine Original
NIRVANA_original_vintage_belgian_concert_poster_1989_democrazy_mudhoney_tad_01_fnew

NIRVANA original vintage belgian concert poster 1989 democrazy mudhoney tad

NIRVANA original vintage belgian concert poster 1989 democrazy mudhoney tad

NIRVANA original vintage belgian concert poster 1989 democrazy mudhoney tad
Original vintage belgian concert poster from 1989. Condition : middlefold with light stain in fold on leftside. Size : 33×23.60 inch (84×60 cm). Be sure to add me to your favorites list. Check out my other items. The item “NIRVANA original vintage belgian concert poster 1989 democrazy mudhoney tad” is in sale since Thursday, May 2, 2019. This item is in the category “Entertainment Memorabilia\Music Memorabilia\Rock & Pop\Artists N\Nirvana\Posters”. The seller is “botnake” and is located in Campôme. This item can be shipped worldwide.
  • Country/Region of Manufacture: France
  • Original/Reproduction: Original

NIRVANA original vintage belgian concert poster 1989 democrazy mudhoney tad
Rare_Original_Vintage_1974_Sunshine_Festival_Hawaii_Concert_Poster_01_dr

Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster

Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster

Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
THANK YOU FOR LOOKING GOD BLESS. The item “RARE ORIGINAL VINTAGE 1974 SUNSHINE FESTIVAL HAWAII CONCERT POSTER” is in sale since Sunday, April 28, 2019. This item is in the category “Art\Art Posters”. The seller is “fcservices661″ and is located in Castaic, California. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Montserrat, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
  • Width (Inches): 181/4
  • Subject: Concerts
  • Date of Creation: 1974
  • Style: Vintage
  • Originality: Original
  • Height (Inches): 23″
  • Listed By: Dealer or Reseller
  • Artist: Tom Sellers
  • Size: Medium (up to 36in.)

Rare Original Vintage 1974 Sunshine Festival Hawaii Concert Poster
Vintage_Original_Jefferson_Airplane_Bill_Graham_1965_Concert_Poster_14x22_01_cea

Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14×22

Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22

Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
1966 San Francisco, Bill Graham Presents NOT A REPRODUCTION. They’re not making more, and nothing is more cool, than the original. Fillmore Auditorium Dec 16,17,18…. The dazed and confused era, my Dad was there, and he has the poster to prove it. Decent condition, I would call it “good” with a veneer of authentic patina. Frame it, and enjoy it. True acid era-counter culture, at it’s best! Tape, and small pin holes. See photos, otherwise in okay condition. Mailed in a thick cardboard tube, with tissue paper. PLEASE PAY within 24 hours of auctions end-thank you! The item “Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14×22″ is in sale since Tuesday, April 23, 2019. This item is in the category “Entertainment Memorabilia\Music Memorabilia\Rock & Pop\Artists G\Graham, Bill\Posters”. The seller is “hatdiva” and is located in Peck, Idaho. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Peru, Viet nam, Uruguay.
  • Modified Item: No
  • Country/Region of Manufacture: United States
  • Original/Reproduction: Original
  • Modification Description: 1966 Original
  • Size: 14×22

Vintage Original Jefferson Airplane Bill Graham 1965 Concert Poster 14x22
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